The last Uncut Poets of 2016 features as guest poet Aidan Semmens. Aidan has three collections from Shearsman Books: A Stone Dog (2011), The Book of Isaac (2013) and Uncertain Measures (2014), and is editor of the online magazine Molly Bloom.
Politically engaged and forthright, he also has a regular weekly column in the Eastern Daily Press and contributes occasional sports reports to The Independent. He is rumoured to support Ipswich Town.
The evening will be presented by Liz Adams and Alasdair Paterson and will take place in Exeter Phoenix in the Workshop, now sporting upmarket new light fittings. 10 open mic slots are available, and can be booked by contacting Alasdair here on FB, at firstname.lastname@example.org or on 07783 734523. Admission is £5 (£3 open mic and concessions). Look forward to seeing you!
Now the dust has settled on another exhilarating Exeter Poetry Festival, we’re back in Uncut Poets action with the ever-popular Caroline Carver as guest poet. Since her last reading with us, Caroline has been poet-in-residence with the Marine Institute, Plymouth University, an enviable appointment that resulted in her 2015 publication ‘Fish Eaters’ (University of Plymouth). Her latest, a pamphlet just out from Indigo Dreams, is ‘Ju Ju Baby’, an insightful and inventive treatment of myth, issues of personal growth and our place in the natural world.
The evening will as usual be mediated/moderated/jollied along by Liz Adams and Alasdair Paterson, and there are 10 open mic slots. These can be booked by contacting Alasdair here on Facebook, by email at email@example.com or on 07783 734523. Any of last month’s open mic reserves who came along but were not called on will have priority, but should contact Alasdair anyway to confirm.
It’s likely that we’ll be back in the Phoenix Workshop, though a late transfer upstairs to the Top Studio is not impossible. Start time 7.30pm, admission £5 (£3 open mic and concessions).
There were many inventive, intriguing and humorous entries for our Poem Titles Competition. Entrants were asked to create a title that would make the Festival Committee want to read the (unwritten) poem. Ian Beech was the winner with Einstein’s Theory of Relatives. He wins a £25 book token. Congratulations, Ian.
Sunday 9th October 2016: Exeter Poetry Festival finales with the Mincinglake Poets and the annual Slam!
Sunday October 9th
Mincing to Denmark.
Venue: Studio 36, Denmark Road, Exeter, EX1 1SE
Admission: £3 on the door. (All admission monies go to support the gallery)
Photo courtesy Studio 36
A selection of the Mincinglake Poets, a loose affiliation of non-millionaires and accredited wordsmiths, will present some of their latest work in the unique setting of Studio 36.
Exeter Poetry Slam 2016
Venue: The Bikeshed Theatre, 162-163 Fore Street, Exeter EX4 3AT
Admission: £6 (£5 concessions) from the Bike Shed Theatre Box Office or on the door
The Festival concludes with the annual Exeter Poetry Slam, hosted by Morwenna Griffiths and Tim King. Twelve of the finest poetic performers from the South West will go head to head in a gladiatorial contest reminiscent of the heyday of the Roman arena, slammers compete for the coveted title of Poetry Slam champion, under the eyes of the Caeser-like judges. To apply to take part, email: firstname.lastname@example.org
Saturday 8th October 2016: Exeter Poetry Festival continues with Archetypes workshop with Julia Copus and readings from newly published books by Devon writers
Saturday 8th October
Archetypes: poetry workshop with Julia Copus
Exeter Community Centre, St. David’s Hill, EX4 3RG
Admission: Workshop places £25 (limited to 12 participants), tickets from Exeter Phoenix Box Office
Factions and sectors of humanity have always fascinated poets, and many of the poems written about them are among the most memorable we have. Philip Larkin takes a moving but uncompromising look at old age in The Old Fools, P.K.Page brilliantly captures the unpredictable, rambunctious nature ofYoung Girls, and American poet laureate Ted Kooser somehow convinces us that Surveyors have travelled to our roadsides straight from the middle ages. How do such poems manage to be both general and specific? And how can we make use of this knowledge to enrich our own writing?
Join poet Julia Copus in this stimulating three-hour workshop to find out. Julia will also take you on a whistle-stop tour of the line-break and demonstrate how lines can be manipulated to create a range of effects. You will come away with the makings of your own poem, and there will also be time to hear, share and discuss what you produce, should you wish to do so.
Image courtesy Julia Copus
Julia Copus was born in London and now lives in Somerset. She has published three collections of poetry: The Shuttered Eye (Bloodaxe, 1995), In Defence of Adultery (Bloodaxe, 2003) and The World’s Two Smallest Humans (Faber and Faber, 2012). All three collections are Poetry Book Society Recommendations. She has won First Prize in the National Poetry Competition and the Forward Prize for Best Single Poem (2010). In 2012, she was shortlisted for the Ted Hughes Award for Ghost Lines, a cycle of radio poems following the journey of a couple undergoing IVF treatment. Her latest poetry collection was published in 2012 by Faber and shortlisted for the T.S.Eliot and the Costa Poetry awards. In 2008, she was made an Honorary Fellow at the University of Exeter. Julia is also an experienced judge and is currently on the judging panel for the T.S.Eliot Poetry Award and Encore Award for best second novel of the year. This year also sees the publication of her third picture book for children, The Shrew that Flew (Faber, 2016).
Devon poets on paper
Venue: City Gate Hotel, Cellar Bar, Lower North Street, Exeter, EX4 3RB
Admission: £3 on the door.
Another Festival tradition – a celebration of 4 Devon poets who have had collections published in the past year.
Image: Helen Evans
Image: Ian Beech
Friday 7th October
Venue: Ballroom, Exeter Community Centre, St. David’s Hill, EX4 3RG
Admission: £8 (£6 concessions) from Exeter Phoenix Box Office or on the door
Our Friday night reading traditionally features South-West poets with national and international profiles, and this year we’re proud to welcome Penelope Shuttle and Annie Freud.
Image courtesy Annie Freud
Annie Freud’s first collection of poetry The Best Man That Ever Was(Picador 2007) marked the start of a third career, following one as an embroiderer and another in local government. Her third collection, The Remains (Picador 2016) is concerned with what is left when everything is broken or lost. She was one of the Poetry Book Society’s Next Generation Poets in 2014.
Image courtesy Penelope Shuttle
Penelope Shuttle is a former winner of a Cholmondeley Award and a Forward Poetry Prize; her most recent publications are: Redgrove’s Wife (Bloodaxe Books, 2006); Sandgrain and Hourglass (Bloodaxe Book, 2010); Unsent (Bloodaxe Books, 2012); and Four Portions of Everything on the Menu for M’sieur Monet! (Indigo Dream, 2016).
Sponsored by the Ronald Duncan Literary Foundation
Thursday 6th October: National Poetry Day
Inside the tent.
Venue: Poetry Tent outside Exeter Cathedral Refectory, 1 The Cloisters, Exeter, EX1 1HS
Start: 2pm to 5.30pm
Image: Wonge Bergman
Do you have a poem inside you that you want to get out? Come to the Poetry Tent on Cathedral Green and we’ll help you get it written on a poster for our competition. All ages.
Indigo Dreams tour
Venue: City Gate Hotel, Cellar Bar, Lower North Street, Exeter EX4 3RB
Admission: £3 on the door
Image: Indigo Dreams
National Poetry Day is celebrated by a reading from 5 poets, all published by the innovative independent poetry publisher Indigo Dreams.
Wednesday 5th October 2016: Exeter Poetry Festival third night with South Africans Eliza Kentridge and Mark Solms
Wednesday 5th October
Venue: The Devon and Exeter Institution, 7 Cathedral Close, Exeter,Devon EX1 1EZ
Admission: £8 (£6 concessions) from Exeter Phoenix Box Office or on the door
Freud famously declared that artists retain their infantile fantasies to an unusual degree. In effect, he argued that they are more narcissistic and less reconciled to reality than non-artists. Does this theory hold water? Psychoanalyst Mark Solms will address the question in dialogue with poet and artist Eliza Kentridge , using her as a sort of ‘case example’.
Image courtesy Mark Solms
Mark Solms is Director of Neuropsychology at the University of Cape Town. He is a member of the British, American and South African Psychoanalytical Associations, and has won many awards, including the Sigourney Prize. He has published over 300 articles and six books. He is editor and translator of the forthcoming Revised Standard Edition of the Complete Psychological Works of Sigmund Freud (24 vols) and the Complete Neuroscientific Works of Sigmund Freud (4 vols).
Image courtesy Eliza Kentridge
Eliza Kentridge was born in Johannesburg in 1962. She moved to England in the late 1980s and has lived in Essex for the past 25 years. She is an artist who works in many media, though she is primarily known for her stitched drawings and applique flags. Her literary leanings, evident since childhood, now result in her first book of poetry: Signs For An Exhibition.